OK, there are still a few blossoms on the cherry trees, so this post is not technically late. I returned to the exact place pictured in the first shot of this post with a mission to take some non-boring sakura pics. Since I wanted to use my new neutral density (ND) filters, however, I knew I wanted to do something with running water. These are basically just darkened glass you put in front of the lens to allow you to keep the shutter open for longer, thus capturing motion, without blowing everything out. The trick, as I quickly learned, is to find something moving in close juxtaposition with something not.
After many, many false starts, I finally settled on this one rock in the stream with some blossoms stuck to it. I had to take off my shoes and bring my tripod down into the stream to get the right perspective, but it was worth it. Not only was I able to arouse some levity among the passers-by, but I also got some very nice shots. (At first the water was extremely cold, but I just lost all sensation in my feet after a few minutes, which is good, because the rocks were sharp, too.)
These first two shots are some of my favorite that I’ve ever taken. I love how the ND filters let me keep the shutter open long enough to make the water all silky, while still capturing the rock-stranded blossoms in perfect clarity. The whisps of light you see are reflections on the water’s surface.
This first one, especially, deserves to be clicked on to see at full size.
Crows on the underside of the Sanjo bridge full exif
The same duck in repose a few minutes earlier. Taken with a neutral density filter allowing long exposure in daylight to get silky water effect. The ducks were completely still, which was sporting of them.
It’s cherry blossom season, so here is the obligatory sakura photo. Actually, I have a lot more coming, but this one, sort of influenced by my friend Stephane, stands on its own.
A few days ago Jeffrey and I went to go photograph Himukai shrine (日向神社) before the autumn leaves all fell. It was a small, unobtrusive and unpretentious shrine tucked into the foothils surrounding Kyoto, and I liked it a lot. Here are just a few pictures from the trip.
(Again I find that no matter how many lenses I take anywhere, the photos I end up using are invariably the ones taken with the Zeiss 100.)
Moss and spiderwebs (if you look carefully) against the leaves makes for a great tableau full exif
There was a little sub-shrine off to the side with a wonderfully rotting torii, or gate marking off the sacred area. I think we spent more time photographing this than everything else.
These last two photos are meant to be facing each other in a diptych. I arranged them that way in the hopes of bringing them to my photography group, which met today, but Genbo with the flu and some pesky patients at the hospital conspired to prevent that. Guess I’ll have to try again in two months.
I’m just starting to go over all the photos I took back in the States, but these two grabbed my eye immediately. They were taken at the SF zoo. Both are, in their way, examples of fortuitous timing. In the first, I managed to catch the flamingos at just the moment when the center one was catching some great sunlight while all the others, somehow, were not.
And here, just the right angle of setting sun manages to make these few leaves and some stray spider silk into (what I think is) a beautiful image. That, and my trusty Nikon 70-200, a huge hunk of glass that photos like this make me glad I persist in carrying around.
Took a walk through the park near my house today with camera in hand. Noticed lots of instances like this one of signs of spring coexisting closely with detritus of winter still hanging around.
Many thanks to Jeffrey for loaning me his extremely nice tripod and for fixing my blog (again), after the whole thing mysteriously disappeared today. (Note to self: Back up, schmuck.)
Took this near daycare, in the midst of a light drizzle of snow. Had a lot of fun experimenting with the very thin DOF on my ZF 100/2 while taking the video. Having the tripod sure does allow for more creative possibilities, both in terms of video and stills.
Just seeing the level at which this equipment performs (irrespective of the skill of the operator) is enough to send shivers up my camera-geek spine, kind of like how listening to the revving motor of a ‘53 MG would for a different demographic.
We have been blessed by truly beautiful fall weather here in Minneapolis. Today Genbo and I were wearing short-sleeved shirts for a while.
Fall has always been my favorite season; well, ever since I went back east to school when I was 14. It’s not necessarily the colors of the leaves, although as you will see below I love those too. No, it’s a clarity to the sky, which is a paler blue, the light, which is crisper, and the air, which is cooler. Or maybe it’s the light that is cooler and the air that is crisper.
All photos taken with my favorite lens, the Zeiss 100/2. It works fine with my new camera, the D90, except for the fact that it isn’t chipped, so I can’t use the camera’s light meter. That’s not too hard to work around, but it also means that no EXIF information is recorded into the files, so I have no idea what aperture any of these were shot at. This is kind of a photographic bummer, but not such a big deal since I am philosophically opposed to opening up the thing wider than f/4 anyway.
(Click to enlarge at least two or Sarah Palin will become….No, never mind, I cannot even write it in jest.)
